Where humanity reaches its cultural nadir.


WARNING! Not safe for work, or the eyes of a child. Or Meyer actually, this one's kind of mean. These are all ill, sick and wrong, kay?


Part One


Part Two


Part Three


MIDI of verse and chorus
deusexmachina.mid
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Where Jacob had trouble convincing everyone how stupid the plot is.

WARNING! Not safe for work, or the eyes of a child. These are all ill, sick and wrong, kay? 

Part One

Part Two
 
Where Nessie decides to get tough with some members of her family.

WARNING! Not safe for work, or the eyes of a child. These are all ill, sick and wrong, kay? 

Part One

Part Two
 
Where Bella feels left out.

WARNING! Not safe for work, or the eyes of a child. These are all ill, sick and wrong, kay?

Part One

Part Two
 
Where Bella is smug, because she is too stupid to realise she has nothing to be smug about.


WARNING! Not safe for work, or the eyes of a child. These are all ill, sick and wrong, kay?


Part One


Part Two


MIDI of verse
ydgcar.mid
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Where... There are no words.

WARNING! Not safe for work, or the eyes of a child. These are ill, sick and wrong, kay? And it's not libellous- there's a court order to prove it.

Part One

Part Two



MIDI of verse
thislove.mid
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Where Bella goes into labour. Oh, the miracle of life!

WARNING! Not safe for work, or the eyes of a child. These are ill, sick and wrong, kay? Also additional warnings for canon gore and violence.

Part One

Part Two
 
Where Rosalie and Jacob duke it out... with surprising results.

WARNING! Not safe for work, or the eyes of a child. These are ill, sick and wrong, kay?

Part One

Part Two
 
Where Jacob's plans to be a lone wolf are spoiled by the Clearwaters.

WARNING! Not safe for work, or the eyes of a child. These are all ill, sick and wrong, kay? Also contains very bad drawings of wolves.

Part One

Part Two
 
Where Jacob and Sam don't see eye to eye... with irreversible consequences. 

WARNING! Not safe for work, or the eyes of a child. These are all ill, sick and wrong, kay?

Part One

Part Two

    Why 'Breaking Dawn': The Musical?

    In case you've been living under a rock for the past few years, we are firmly in the grip of 'Twilight' fever. Yes, the 'Twilight' saga, written with all the skill, wit and flair of a fifteen year old attempting their first fanfic, has enraptured people across all of the globe, spawned a series of equally irritating films and the kind of merchandise that puts 'KISS' to shame. And for some reason, I enjoyed them, in much the same way I enjoyed 'Torchwood'- by revelling in the rage it induced.

    'Breaking Dawn' is the last (hopefully) of the 'saga' and it managed to turn a promising, if poorly written, story about a human girl and her obsession with a sparkly vampire that strongly hinted it would develop into a coming-of-age story about appreciating life, growing up and independence, into the most ridiculous wish-fulfilment you could imagine, where a supposedly bright teenage girl gives up any ambitions to better herself by devoting her life- and subsequent death- to a whiney insecure vampire, eschewing her studies to get married and have his baby at eighteen- both things she actively expresses distaste towards in the previous books- as well as giving up all her privacy to massage his ego; all of which she is rewarded for. Which is a fantastic message to send to the impressionable young demographic, I'm sure you'll agree. If you think of the previous three books as a swimming pool, 'Breaking Dawn' is the drainage device, removing all depth and leaving behind dirt, clumps of matted hair and a general stench of urine.

    Anyway, I like to be a positive little sheep, and so when Bill Condon- director of 'Dream Girls' and 'Gods and Monsters' to name but a few- was announced as the director of both 'Breaking Dawn' films, I didn't weep into my grass, or try to stab the farmer (he learned the first time, which is why I'm typing this and not in a vaccum pack on the shelves of 'Tesco'). Instead I hung onto one Facebook question he decided to pre-empt:

    'P.S. Answer #1: No, there won't be any musical numbers.'

    To which I thought, 'Well, what a shame. A musical could vastly improve this crime against the written word.'

    Judge for yourself. I should add, however, that if you thought 'Breaking Dawn' was the literary sensation of the millennium and simply can't understand my complaints above, you probably aren't going to enjoy this. I'm not saying don't read it, but I am saying don't come crying to me if you don't like how it plays out. 

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